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Shadows, Fire, Snow: The Life of Tina Modotti, by Patricia Albers
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Ten years of research and the discovery of long-forgotten letters and photos enabled Patricia Albers to bring new recognition to this talented, intelligent, and independent photographer whose life embodied the cultural and political values of many artists of the post-World War I generation.
- Sales Rank: #2125659 in Books
- Published on: 2002-03-11
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.00" w x 6.13" l, 1.33 pounds
- Binding: Paperback
- 397 pages
Amazon.com Review
Tina Modotti's short, intense life (1896-1942) has sparked numerous biographies, but museum curator Patricia Albers's is the first to do true justice to Modotti's photography and to persuasively trace its roots in her personal experiences. Albers does a fine job nailing down the particulars of this remarkable woman's picaresque journey: impoverished childhood in Italy; introduction to bohemianism and radicalism in California; amorous and artistic fulfillment in Mexico; a murder that launched her into the maelstrom of Communist Party activism in Nazi Germany, the Soviet Union, and Spain; return to Mexico and premature death. Even more importantly, Albers conveys the essence of Modotti's haunting images, which displayed a modernist technique similar to that of her lover Edward Weston, but applied it to the respectful, loving portrayal of Mexico's common people. Contemporary readers may regret Modotti's decision to abandon photography in 1932 and her unflinching loyalty to Stalinism (including a decade-long liaison with a particularly dogmatic party functionary), but Albers makes readers understand that the same passion that fueled her art and her many love affairs underpinned her commitment to Communism. Modotti's story is not one of reasoned choices and measured steps, but a wild, romantic saga of intrigue, heartbreak, excess, and catastrophe all vividly captured in this poignant book. --Wendy Smith
From Publishers Weekly
Art historians have called Tina Modotti (1896-1942) "the best-known unknown photographer of the 20th century." She also acted in silent films in Hollywood, went to Mexico with Edward Weston in 1922, was a nurse in Spain's Civil War and a prominent Communist, antifascist and internationalist. Partner to equally extraordinary men, friend to the most creative minds of her generation, she died alone in a taxi cab at the age of 46. Shadows, Fire, Snow is her first truly satisfying biography. Patricia Albers has built upon Mildred Constantine's Tina Modotti: A Fragile Life and Margaret Hooks's Tina Modotti: Photographer and Revolutionary, but hers is a more deftly researched book that takes greater risks. In tightly written passagesAalmost too dense at timesAshe beautifully evokes pivotal scenes in Modotti's artistic and political development, revealing her generosity of spirit and the passionate commitment to her ideals that kept her moving from country to country and eventually drove her to give up her art. This is a biography divided by placeAItaly, Austria, Hollywood, Mexico City, Berlin, Moscow, MadridAand about a woman who longed to be rooted to a place, but who couldn't allow herself to settle down. Albers's understanding of this contradiction provides the narrative tension that makes this biography such riveting reading (and great film material). Throughout Modotti's short life, she counted among her friends and co-workers Mexican artists Diego Rivera and Frida Kahlo, American writer John Dos Passos and Russian revolutionary and feminist Alexandra Kollontai, among many others. Modotti's photographs were often documentary in nature, what Carleton Beals called seeking the "perfect snapshot." Albers's rendition of Modotti's life goes a long way toward allowing us to understand this extraordinary woman. 60 photos not seen by PW. Agent, Laurie Fox of the Linda Chester Literary Agency. Foreign rights sold in Germany. (Apr.) FYI: In March, St. Martin's is publishing Tina Modotti: A Life, translated by Patricia J. Duncan.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Looking beyond Modotti's liaisons and life as a photographer in Mexico, Albers takes her subject off the pedestal created by Edward Weston's ethereal photographs. In this accessible work--the first comprehensive biography--Albers sees the very human Modotti as a passionate artist, inexhaustible political organizer, and modern woman set on finding fulfillment. (LJ 4/15/99)
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
6 of 7 people found the following review helpful.
A person worth reading about!
By sivin
"I look upon people now not in terms of race...but in terms of classes...," wrote Tina Modotti to a friend towards the end of this excellent biography. A complex woman with many passions, Modotti's life is described by Patricia Albers in vibrant terms, totally capturing the reader's attention and taking that reader on a journey through the Italy of Modotti's childhood to the United States and finally Mexico, her chosen home. Along the way Modotti's relationships with such artists as Diego Rivera and Frida Kahlo is explored as well as with other notables of her time. Through Albers' exploration of her subject, the reader discovers the evolution of Modotti from actress to noted photographer to active politico. Because of Modotti's many facets the book would be an excellent gift choice. This is a story that makes the reader want to snuggle up in a comfortable chair on a rainy day and read until the sun comes out. It is well-written, informative, colorful and very human.
5 of 6 people found the following review helpful.
A person worth reading about!
By A Customer
"I look upon people now not in terms of race...but in terms of classes..." wrote Tina Modotti to a friend towards the end of this excellent biography. A complex woman with many passions, Modotti's life is described by Patricia Albers in vibrant terms, totally capturing the reader's attention and taking that reader on a journey through the Italy of Modotti's childhood to the United States and finally Mexico, her chosen home. Along the way Modotti's relationships with such artists as Diego Rivera and Frida Kahlo is explored as well as with other notables of her time. Through Albers' exploration of her subject, the reader discovers the evolution of Modotti from actress to noted photographer to active politico. Because of Modotti's many facets the book would be an excellent gift choice. This is a story that makes the reader want to snuggle up in a comfortable chair on a rainy day and read until the sun comes out. It is well-written, informative, colorful and very human.
5 of 6 people found the following review helpful.
Dull writing style
By Justine Cardello
I really wanted to read a good book about Tina Modotti, but Albers writing style is so dull, and so flat, I barely made it through chapters. She goes into tedious detail, and I have not gotten any feel at all for Tina. Fortunately, I took the book out of the library, and will return it tomorrow. Perhaps I will try another author, but this is really a great disappointment.
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